notes.txt : Notes update.

doc/notes.txt

@@ -111,33 +111,41 @@ possibly unintended effects:
     Spkr3 <----------|       |<-------|     |
                      +-------+        +-----+
       
-
 + Software Development
-  1) Create Score File
-  2) Create Recording Program (test with long MIDI playback generating audio - look for drift)
+  - Create Score File
+
+  - Create Recording Program (test with long MIDI playback generating audio - look for drift)
      Record the index of each MIDI event at it's location in an audio channel.
-  3) (DONE) The ability for the measurements to be called at the correct time must be built in.
-     (or alternatively to use stored effects).
-  4) Effects applied to the playback fragments.
-  5) Allow all variables and patch connections to be set from the scMod script and have 
+
+  - Allow all variables and patch connections to be set from the scMod script and have 
      multiple scripts with varynig effects setups. 
-  6) All 4 input mic's should go through the computer in order that they remain in phase 
-     (even though the overhead mics will not be used in the effect).
-  7) Add comb filters tuned according to the current MIDI notes as an additional effect.
-  8) Add EQ output stage (use mixer).
-  9) Compressor on input (???).
- 10) The dry signal should be able to be routed to seperate output channels - around the compressor.
- 11) CROSSFADE BUG - (DONE?) This may be fixed by the change to cmDspAvailCh which
+
+  - When scanning past ramping variables in scMod the end value should be
+    taken as the next variable(???) - this is not necessarily correct 
+    because one never knows where a timed change may end - maybe ramped
+    variables should include a 'skip value' giving the next ambient value
+    for the ramped variable - experiment with this to figure out what works.
+
+  - Add comb filters tuned according to the current MIDI notes as an additional effect.
+  - Add EQ output stage (use mixer).
+  - Add an input Compressor.
+
+  - The dry signal should be able to be routed to seperate output channels - around the compressor.
+     (Better would be to output a delayed version of the dry signal that was in sync with the transformed
+      signal - this might mean simply passing the dry version as separate outputs from KR). 
+
+  - Create a mode in scMod which increments values based on an onset detector. So that
+    changes only happen on attacks. This still doesn't help if the pedal is down (or
+    if notes are sustained) but otherwise might be a better way to ramp parameters.
+
+  - (DONE) The ability for the measurements to be called at the correct time must be built in.
+     (or alternatively to use stored effects).
+
+  - (DONE) Effects applied to the playback fragments.
+
+  - (DONE?) CROSSFADE BUG - This may be fixed by the change to cmDspAvailCh which
      handles the case where no channels are available by sending an error message
      but not actually changing the state of the cross fader.
- 12) Create a mode in scMod which increments values based on an onset detector. So that
-  changes only happen on attacks. This still doesn't help if the pedal is down (or
-  if notes are sustained) but otherwise might be a better way to ramp parameters.
- 13) When scanning past ramping variables in scMod the end value should be
-  taken as the next variable(???) - this is not necessarily correct 
-  because one never knows where a timed change may end - maybe ramped
-  variables should include a 'skip value' giving the next ambient value
-  for the ramped variable - experiment with this to figure out what works.
 
 
 + Experiments:
@@ -159,10 +167,8 @@ possibly unintended effects:
   or to throw out fragments where there is a mistake.
 + At the end of each fragment recording the fragment should be truncated by the look-ahead time
   to avoid capturing the attack of the marked note.
-+ FX on fragments.
-+ MUST be able to record synchronized audio and MIDI during test performance.
 + Part 2 data analysis: analyze the order of notes in counter rhythms.
-
++ Allow  'evenness' sequences to have non-even relationships.
 
 *** 11/1
 + Change the wavetable to read stereo files or add a second wavetable to play the other channel.