notes.txt : Notes update.
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@ -111,33 +111,41 @@ possibly unintended effects:
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Spkr3 <----------| |<-------| |
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Spkr3 <----------| |<-------| |
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+-------+ +-----+
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+-------+ +-----+
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+ Software Development
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+ Software Development
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1) Create Score File
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- Create Score File
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2) Create Recording Program (test with long MIDI playback generating audio - look for drift)
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- Create Recording Program (test with long MIDI playback generating audio - look for drift)
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Record the index of each MIDI event at it's location in an audio channel.
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Record the index of each MIDI event at it's location in an audio channel.
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3) (DONE) The ability for the measurements to be called at the correct time must be built in.
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(or alternatively to use stored effects).
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- Allow all variables and patch connections to be set from the scMod script and have
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4) Effects applied to the playback fragments.
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5) Allow all variables and patch connections to be set from the scMod script and have
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multiple scripts with varynig effects setups.
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multiple scripts with varynig effects setups.
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6) All 4 input mic's should go through the computer in order that they remain in phase
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(even though the overhead mics will not be used in the effect).
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- When scanning past ramping variables in scMod the end value should be
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7) Add comb filters tuned according to the current MIDI notes as an additional effect.
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taken as the next variable(???) - this is not necessarily correct
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8) Add EQ output stage (use mixer).
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because one never knows where a timed change may end - maybe ramped
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9) Compressor on input (???).
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variables should include a 'skip value' giving the next ambient value
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10) The dry signal should be able to be routed to seperate output channels - around the compressor.
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for the ramped variable - experiment with this to figure out what works.
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11) CROSSFADE BUG - (DONE?) This may be fixed by the change to cmDspAvailCh which
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- Add comb filters tuned according to the current MIDI notes as an additional effect.
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- Add EQ output stage (use mixer).
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- Add an input Compressor.
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- The dry signal should be able to be routed to seperate output channels - around the compressor.
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(Better would be to output a delayed version of the dry signal that was in sync with the transformed
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signal - this might mean simply passing the dry version as separate outputs from KR).
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- Create a mode in scMod which increments values based on an onset detector. So that
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changes only happen on attacks. This still doesn't help if the pedal is down (or
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if notes are sustained) but otherwise might be a better way to ramp parameters.
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- (DONE) The ability for the measurements to be called at the correct time must be built in.
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(or alternatively to use stored effects).
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- (DONE) Effects applied to the playback fragments.
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- (DONE?) CROSSFADE BUG - This may be fixed by the change to cmDspAvailCh which
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handles the case where no channels are available by sending an error message
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handles the case where no channels are available by sending an error message
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but not actually changing the state of the cross fader.
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but not actually changing the state of the cross fader.
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12) Create a mode in scMod which increments values based on an onset detector. So that
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changes only happen on attacks. This still doesn't help if the pedal is down (or
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if notes are sustained) but otherwise might be a better way to ramp parameters.
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13) When scanning past ramping variables in scMod the end value should be
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taken as the next variable(???) - this is not necessarily correct
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because one never knows where a timed change may end - maybe ramped
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variables should include a 'skip value' giving the next ambient value
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for the ramped variable - experiment with this to figure out what works.
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+ Experiments:
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+ Experiments:
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@ -159,10 +167,8 @@ possibly unintended effects:
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or to throw out fragments where there is a mistake.
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or to throw out fragments where there is a mistake.
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+ At the end of each fragment recording the fragment should be truncated by the look-ahead time
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+ At the end of each fragment recording the fragment should be truncated by the look-ahead time
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to avoid capturing the attack of the marked note.
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to avoid capturing the attack of the marked note.
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+ FX on fragments.
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+ MUST be able to record synchronized audio and MIDI during test performance.
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+ Part 2 data analysis: analyze the order of notes in counter rhythms.
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+ Part 2 data analysis: analyze the order of notes in counter rhythms.
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+ Allow 'evenness' sequences to have non-even relationships.
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*** 11/1
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*** 11/1
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+ Change the wavetable to read stereo files or add a second wavetable to play the other channel.
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+ Change the wavetable to read stereo files or add a second wavetable to play the other channel.
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