doc/notes.txt : Updated notes from 11/20 session.

doc/notes.txt

 + The list boxes do not show the currently selected item.
 + (don)MIDI note messages are sent but do not trigger notes on OSX. 
 
+*** Testing Notes:
++ Equipment List:
+   Four Microphones: Four performance/ Four recording
+                     2 inside          2 inside
+                     2 overhead        2 overhead
+
+   4 powered speakers
+   2 Mixers   (1 performance 1 recording)
+   
+   Performance Computer (harpo)/ Audio Interface (delta1010) / MIDI interface (Fastlane)
+   Recording Computer (crel)   / Audio Interface (delta 1010) / MIDI interface (???)
+   Sensor Strip	      
+
++ Performance Setup
+   
+                     +------ +
+    Mic0 ----------->|       |
+    Mic1 ----------->|       | sends  +-----+       +-------+
+    Mic2 ----------->|       |------->| A/D |       |       |        +------+      +--------+
+    Mic3 ----------->| Mixer |------->|     |------>| harpo |<-------| MIDI |<-----| sensor |    
+              aux    |       |        |     |       |       |        +------+      | strip  |
+    Spkr0 <----------|       |<-------|     |<------|       |                      +--------+
+    Spkr1 <----------|       |<-------|     |       +------ +
+              main   |       |        |     |
+    Spkr2 <----------|       |<-------| D/A |
+    Spkr3 <----------|       |<-------|     |
+                     +-------+        +-----+
+      
+
++ Software Development
+  1) Create Score File
+  2) Create Recording Program (test with long MIDI playback generating audio - look for drift)
+     Record the index of each MIDI event at it's location in an audio channel.
+  3) The ability for the measurements to be called at the correct time must be built in.
+     (or alternatively to use stored effects).
+  4) Effects applied to the playback fragments.
+  5) Allow all variables and patch connections to be set from the scMod script and have 
+     multiple scripts with varynig effects setups. 
+  6) All 4 input mic's should go through the computer in order that they remain in phase 
+     (even though the overhead mics will not be used in the effect).
+  7) Add comb filters tuned according to the current MIDI notes as an additional effect.
+  8) Add EQ output stage.
+  9) Compressor on input (???).
+ 10) The dry signal should be able to be routed to seperate output channels - around the compressor.
+ 11) CROSSFADE BUG.
+ 12) Create a mode in scMod which increments values based on an onset detector. So that
+  changes only happen on attacks. This still doesn't help if the pedal is down (or
+  if notes are sustained) but otherwise might be a better way to ramp parameters.
+ 13) When scanning past ramping variables in scMod the end value should be
+  taken as the next variable(???) - this is not necessarily correct 
+  because one never knows where a timed change may end - maybe ramped
+  variables should include a 'skip value' giving the next ambient value
+  for the ramped variable - experiment with this to figure out what works.
+
+
++ Experiments:
+  1) Speaker placement and live/electronics mix.
+  2) Sliver mix level
+  3) Try varying degree's of effects
+
+   
+
 *** 11/19
 + The recd/play fade should be able to trigger from a capture note as well as 
   playback note.  An offset might also be useful.
   will be the fade that will occur when 
 + Allow setting fade time in the score. 
 + Allow setting fade rate based on 1.0 to 0.0 from fade point to end point.
++ Allow for multiple fades markers per fragment. (what does this mean?)
++ Write code to ignore playback when the score follower is not stable -
+  or to throw out fragments where there is a mistake.
++ At the end of each fragment recording the fragment should be truncated by the look-ahead time
+  to avoid capturing the attack of the marked note.
 + FX on fragments.
 + MUST be able to record synchronized audio and MIDI during test performance.
-+ 
++ Part 2 data analysis: analyze the order of notes in counter rhythms.
+
 
 *** 11/1
 + Change the wavetable to read stereo files or add a second wavetable to play the other channel.
   Notes held while the pedal is down would not be good places to transition.
   These indicators would then be used to determine where a section change can occur
   when the actual section change is missed.
-+ All score_loc's and event indexes in meas0.js that beginning with 
++ (done) All score_loc's and event indexes in meas0.js that beginning with 
   score location 743 must be decremented by two.  (e.g. loc 743 becomes 741 ...)
   (score_loc_1.txt is now the correct score file)
 + When scanning past ramping variables in scMod the end value should be