notes.txt - Update notes.
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@ -37,7 +37,38 @@ TODO:
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+ Add preset delete.
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+ All uses of va_copy() should have a complimentary va_end()
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+ The list boxes do not show the currently selected item.
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+ (don)MIDI note messages are sent but do not trigger notes on OSX.
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+ (done)MIDI note messages are sent but do not trigger notes on OSX.
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*** Usage Notes
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live - Disconnects WT cmd input (WT will not receive an 'on' msg)
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Disconnects TL reset input (TL will not receive a 'reset' msg)
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Disconnects MFP sel input (MPF will not receive an 'on' msg)
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Switches audio input to KR from WT to AIN.
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Turn the 'meas' checkbox 'on'.
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simulate - Turn the 'audio in' checkbox 'on'.
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Switch MFP output from SF to Nano.
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(SF MIDI input then comes from the MIDI port.)
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audio in - Switch audio input to KR from WT to AIN.
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meas - Instruct the SF to generate measurement outputs for the active meas. unit.
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Otherwise the measurements must be loaded from the recorded measurment list.
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print - Print a report from the SF.
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quiet - Turn off SF output.
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LA Secs - Fragment recd/play unit look-ahead time in seconds.
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Fade DbpSec - Framgent recd/play unit fade out time
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(time to fade to 0 following a fade msg)
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**** Live Test Score
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+ Line 1048 has a red G#5 immediiately following another G#5. Is this correct?
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For now the second G#5 has been marked as a 'skip'.
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+ Changed Tempo sections 25,26,27 to 40,47,47a
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+ Measurements are taken for sections 51-54 but these sections follow bar 136 and
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are therefore outside the test. These sections have therefore been redirected
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to the downbeat of 201-204.
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*** Testing Notes:
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+ Equipment List:
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@ -72,7 +103,7 @@ TODO:
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1) Create Score File
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2) Create Recording Program (test with long MIDI playback generating audio - look for drift)
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Record the index of each MIDI event at it's location in an audio channel.
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3) The ability for the measurements to be called at the correct time must be built in.
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3) (DONE) The ability for the measurements to be called at the correct time must be built in.
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(or alternatively to use stored effects).
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4) Effects applied to the playback fragments.
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5) Allow all variables and patch connections to be set from the scMod script and have
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@ -80,10 +111,12 @@ TODO:
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6) All 4 input mic's should go through the computer in order that they remain in phase
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(even though the overhead mics will not be used in the effect).
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7) Add comb filters tuned according to the current MIDI notes as an additional effect.
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8) Add EQ output stage.
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8) Add EQ output stage (use mixer).
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9) Compressor on input (???).
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10) The dry signal should be able to be routed to seperate output channels - around the compressor.
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11) CROSSFADE BUG.
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11) CROSSFADE BUG - (DONE?) This may be fixed by the change to cmDspAvailCh which
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handles the case where no channels are available by sending an error message
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but not actually changing the state of the cross fader.
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12) Create a mode in scMod which increments values based on an onset detector. So that
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changes only happen on attacks. This still doesn't help if the pedal is down (or
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if notes are sustained) but otherwise might be a better way to ramp parameters.
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@ -150,10 +183,10 @@ TODO:
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Score follower jumps to loc. 978 then backs up to 973.
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*** 9/27
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* Implement live recording for use in part 2.
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* (DONE) Implement live recording for use in part 2.
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* Implement a delay between when a new section is set to trigger and when
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it actually does. This might allow transitions to be set up prior to when they are heard.
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* OS-X version crashes when the printf("PROCSET ...) is removed from _cmScProcSets().
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* (DONE) OS-X version crashes when the printf("PROCSET ...) is removed from _cmScProcSets().
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* Add ability to set mappings and perf. measure settings to scMod.
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* The scMod should play through all changes up to the cur starting location so that
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we can mimic the state of playing the piece through but allow starting from any location.
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