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@@ -3,6 +3,10 @@ CONTENTS:
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1) TODO List
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2) OSX Install Notes
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+STRATEGY
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++ implement highly parallel version - which can take advantage of multiple processors
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+ to do more - acoustic pitch tracking, source separation based fades
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+
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TODO:
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11
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+ When a cmMsgList item is selected it should send out the selected index
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after the individual data items rather than before them - this way the index
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@@ -23,6 +27,34 @@ TODO:
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+ Add preset delete.
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+ All uses of va_copy() should have a complimentary va_end()
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+*** 9/27
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+* Implement live recording for use in part 2.
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+* Implement a delay between when a new section is set to trigger and when
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+it actually does. This might allow transitions to be set up prior to when they are heard.
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+* OS-X version crashes when the printf("PROCSET ...) is removed from _cmScProcSets().
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+* Add ability to set mappings and perf. measure settings to scMod.
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+* The scMod should play through all changes up to the cur starting location so that
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+ we can mimic the state of playing the piece through but allow starting from any location.
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+* Experiment with changing settings using the scMod ramping functions.
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+* Make a source separation based fade using an filter/inverse filter based on the
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+ spectrum prior to the cross-fade. As an extra feature notice the state of the pedal
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+ and decay appropriately.
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+* The 'cost' value is not correct - it is being displayed as the same as the related attribute.
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+
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+
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+
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+* Setting the upper slope to a negative value is effective.
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+
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+* Demo Material: Seq 8 Mark 204 (1024-4 2048-4) Fade 10ms Cost->Threshold.
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+- recd7 Mark 151
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+- recd8 Mark 145 - same settings a previous take.
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+- recd9 Mark 145 - w/ changing xfade switch to mode 4 at 38
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+- recd10 Mark 145 - same w/ no mode change
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+- recd11 Mark 145 - 3 different takes w/ score constant - no perf. parameters used - fixed threshold=65
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+- recd12 Mark 148 (same settings as recd9)
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+- recd13 Mark 151
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+- recd14 Mark 161 Section 40 - fixed changes see mod0.js for note
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+
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*** 8/13
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* Cross-fade was cutting out during demo.
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* Missing takes between seq 7 and seq 8.
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