|
@@ -1,6 +1,3 @@
|
1
|
|
-Is there a reason that bar 191 was marked as "blank" (blk) in the score file?
|
2
|
|
-
|
3
|
|
-
|
4
|
1
|
TODO:
|
5
|
2
|
+ When a cmMsgList item is selected it should send out the selected index
|
6
|
3
|
after the individual data items rather than before them - this way the index
|
|
@@ -17,12 +14,17 @@ TODO:
|
17
|
14
|
+ (done) Mac Conversion
|
18
|
15
|
+ (done) Live MIDI - to test audio/MIDI delay.
|
19
|
16
|
+ (done) As threshold increases overall volume decreases - add a compensation algorithm.
|
20
|
|
-+ THere are unintialized variable warnings on the release build.
|
|
17
|
++ There are unintialized variable warnings on the release build.
|
21
|
18
|
+ Add preset delete.
|
22
|
19
|
+ All uses of va_copy() should have a complimentary va_end()
|
23
|
20
|
|
24
|
|
-*** july 10
|
25
|
|
-** Make separate mappings and scale/range controls for left and right.
|
|
21
|
+*** July 10
|
|
22
|
+** (done) Make separate mappings and scale/range controls for left and right.
|
|
23
|
+** Add EQ output stage.
|
|
24
|
+** Work out the speaker setup.
|
|
25
|
+** Add capture/playback. Analyze notes on capture and do not play if there are
|
|
26
|
+ any wrong notes. (Skipped notes however are acceptable.)
|
|
27
|
+**
|
26
|
28
|
|
27
|
29
|
** When a section transition is occurs late - (e.g. due to dropped notes) do not apply
|
28
|
30
|
the transformation all at once - instead either ramp it in or step it in on subsequent
|
|
@@ -30,6 +32,9 @@ attacks. Section transitions which are positively identified are intended to ha
|
30
|
32
|
dramatic changes so applying the updated parameters immediately is acceptable - but
|
31
|
33
|
when the parameters are changed mid-section they should be much applied subtely.
|
32
|
34
|
|
|
35
|
+
|
|
36
|
+
|
|
37
|
+
|
33
|
38
|
** (done) Build a database of measurements and setup the program to be able to
|
34
|
39
|
apply a given measurement at it's assigned section.
|
35
|
40
|
|
|
@@ -37,15 +42,18 @@ when the parameters are changed mid-section they should be much applied subtely.
|
37
|
42
|
|
38
|
43
|
** use Log frequency frequency transform instead of FFT.
|
39
|
44
|
|
|
45
|
+** Allow for a continous window size via zero padding.
|
|
46
|
+
|
40
|
47
|
** Add a 'write' preset file button - so the preset file can be saved prior to next crash.
|
41
|
48
|
|
42
|
49
|
** measurement values can generate MAX_DBL - be sure that are not being sent through to the audio algorithm.
|
43
|
50
|
(see ln:965 cmDspKr.c for a hack to fix this)
|
44
|
51
|
|
45
|
|
-** add invert to scale/range .
|
|
52
|
+** add invert to scale/range to cause output to go in opposite direction.
|
46
|
53
|
|
47
|
54
|
** non-grace eveneess are used to generate a measurement value from previous tempo calibration section.
|
48
|
55
|
(non-grace evenness notes therefore have two scores: 'evenness' and 'overall-duration').
|
|
56
|
+
|
49
|
57
|
** note that the default setting for dyn and even.
|
50
|
58
|
|
51
|
59
|
** add dyn,even,tempo,cost number boxes to allow artificial setting of these parameters.
|
|
@@ -59,18 +67,17 @@ when the parameters are changed mid-section they should be much applied subtely.
|
59
|
67
|
** Do IFFT using cos()^c + i * sin()^c - these bases are orthognal but cause harmonic distortion.
|
60
|
68
|
To be efficient this might involve writing an FFT function.
|
61
|
69
|
|
|
70
|
+// May 22
|
|
71
|
+
|
|
72
|
+** Crashers (Should be tested but are probably already fixed following score follower debugging.)
|
62
|
73
|
Seq 2 m24 Mark 36 & 38
|
63
|
74
|
Seq 4: Mark 115
|
64
|
75
|
Seq 4: m76-79 Mark 129 (W/ meas: even & dyn -> thresh change min Thresh to 40) - use 4th seq w/ b1
|
65
|
76
|
Seq 6: m92 Mark 143
|
66
|
77
|
Seq 7: m103 Mark 173
|
67
|
|
-
|
68
|
|
-
|
69
|
|
-// May 22
|
70
|
|
-+ Add invert to scale range to cause output to go in opposite direction.
|
71
|
|
-+ Seq 7: Mark 172 Meas 103 - always crashes on playback.
|
72
|
|
- Seq 4: Mark 76 Meas 40 - crash!
|
73
|
|
- Seq 2: First mark meas 23
|
|
78
|
+Seq 7: Mark 172 Meas 103 - always crashes on playback.
|
|
79
|
+Seq 4: Mark 76 Meas 40 - crash!
|
|
80
|
+Seq 2: First mark meas 23
|
74
|
81
|
Crash seems to happen in cmProc4.c: _cmScMatchInitMtx() ln:1311.
|
75
|
82
|
It looks like a memory overrun. Looks like the first line is wrong
|
76
|
83
|
shouldn't:
|
|
@@ -78,6 +85,8 @@ Seq 7: m103 Mark 173
|
78
|
85
|
be
|
79
|
86
|
if(rn*cn > p->mrn*p->mcn)
|
80
|
87
|
|
|
88
|
+
|
|
89
|
+
|
81
|
90
|
BUGS:
|
82
|
91
|
// Apr 20
|
83
|
92
|
The tempo measurement can produce invalid values. Set score to 22 then play Mark 38.
|
|
@@ -106,9 +115,9 @@ considered chords. Extra notes notes which were not part of
|
106
|
115
|
the chord are probably common and should be discounted during
|
107
|
116
|
the cost analysis.
|
108
|
117
|
|
109
|
|
-+ Add alignment cost as a 4th variable along with dyn,even,tempo.
|
|
118
|
++ (done) Add alignment cost as a 4th variable along with dyn,even,tempo.
|
110
|
119
|
|
111
|
|
-+ In the score print out (score_loc.txt) Section 2 is starting on Bar 5
|
|
120
|
++ (done) In the score print out (score_loc.txt) Section 2 is starting on Bar 5
|
112
|
121
|
when it should start inside Bar 7.
|
113
|
122
|
|
114
|
123
|
+ In Take 1 the 2nd dynamics set is not triggered.
|