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@@ -1385,7 +1385,7 @@
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type: "mk"
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ref: "af-10"
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offset: 7125297
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- smpCnt: 2204314
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+ smpCnt: 5564314 //2204314
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trackId: 4
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textStr: "end m49-53 #3 (A-) dnbt 50 msg treble?"
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bar:49
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@@ -2530,7 +2530,7 @@
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type: "mk"
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ref: "af-16"
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offset: 40206227
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- smpCnt: 4157444
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+ smpCnt: 4374000
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trackId: 8
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textStr: "m126 - 139 (A)"
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bar:126
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@@ -2542,7 +2542,7 @@
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type: "mk"
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ref: "af-16"
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offset: 53770728
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2545
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- smpCnt: 2959658
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+ smpCnt: 4487783
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trackId: 8
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2547
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2547
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textStr: "Sec48 - 51, m130 - 139 (A) excellent, more accurate detail than takes from Mix 20 except held Ped in Sec50"
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bar:130
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@@ -2554,7 +2554,7 @@
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2554
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type: "mk"
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ref: "af-16"
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offset: 71780717
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- smpCnt: 4167045
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+ smpCnt: 4374120
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trackId: 8
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2559
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2559
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textStr: "m130 - 143 not quite as good as preceding"
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bar:130
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@@ -2672,7 +2672,7 @@
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type: "mk"
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ref: "af-16"
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offset: 168890158
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- smpCnt: 4200650
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+ smpCnt: 4582393
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trackId: 8
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textStr: "Sec54 - Sec57 opening, m144 - 154 (A) Sec54 - 55 #1"
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bar:144
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@@ -2694,7 +2694,7 @@
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type: "mk"
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ref: "af-16"
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offset: 192063347
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- smpCnt: 5352829
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+ smpCnt: 5444703
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trackId: 8
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textStr: "Sec54 - Sec57a 1st bt excellent, lot of delicacy (A) Sec54 - 55 #3; Sec56 - 56a exc, #2; Sec57 best this mix, #1. Can use entire take from earliest to last cut, m145 - 1st 4 bts m156"
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bar:144
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@@ -2706,7 +2706,7 @@
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type: "mk"
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ref: "af-16"
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offset: 206249544
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- smpCnt: 3999019
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+ smpCnt: 4050000
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trackId: 8
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2711
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2711
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textStr: "Sec56 - Sec57a 1st bt also exc (A) Sec56 - 56a exc, #1; Sec57 on not as good"
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bar:148
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@@ -3476,7 +3476,7 @@
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type: "mk"
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|
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ref: "af-21"
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|
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offset: 79891115
|
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- smpCnt: 6517409
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+ smpCnt: 6500000
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trackId: 12
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textStr: "Sec63 - Sec66 m186 bt5"
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bar:175
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